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Statue
of Idrimi
Late Bronze Age /
Syrian, 16th century BC From Tell Atchana (ancient Alalakh), modern
Turkey
A statue of a king
of Alalakh, covered with his biography in cuneiform
This extraordinary
statue represents Idrimi, a king of Alalakh. It was discovered by the
excavator Leonard Woolley in the ruins of a temple at the site of Tell
Atchana (ancient Alalakh). The statue had been toppled from its stone
throne, presumably at the time of the final destruction of the city,
around 1100 BC. Its head, with inlaid glass eyes, and its feet had broken
off. The eyebrows and eyelids had originally been inlaid and the marks of
a tubular drill can be seen, probably part of the process of manufacture.
The statue is inscribed in faulty Akkadian, using a poor cuneiform
script, with an autobiography of Idrimi. It is a unique type of text
signed by the scribe who wrote it. Idrimi was one of the sons of the royal
house of Aleppo, which was subject to the powerful kingdom of Mitanni. The
territory of Aleppo included the smaller city state of Alalakh. Following
a failed revolt, Idrimi and some of his family fled to Emar (now Meskene)
on the Euphrates, which was ruled by his mother's family. From there he
went south to live among nomads in Canaan (the earliest known reference to
this land). Here he gathered troops and received popular support and help
from his family. In time he made overtures to Parattarna, the king of
Mitanni, who recognized his control of Alalakh. The inscription states
that he had been ruling for thirty years when he had the statue inscribed,
though it has been suggested that the text was actually added to the
statue about three hundred years after Idrimi. The inscription ends with
curses on anyone who would destroy the statue.
Height: 104.14 cm
Height: 63.5 cm (throne)
Excavated by C.L.
Woolley (1939)
ANE 130738A
Room 57, The Ancient
Levant, case 11
D. Collon, Ancient
Near Eastern art (London, The British Museum Press, 1995), p. 111,
fig. 90
T.C. Mitchell, The Bible in the British Museum: interpreting the
evidence (London, The British Museum Press, 1988), p. 28-29, no. 4
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